It offers three modes: Duplicate Files, which looks just at file names (though you can customize how much of the file to examine) Similar Photos, which provide sliders and basic and advanced options and Series of Shots, which can identify bursts of photos. Photosweeper has a lot of settings, all of which seem straightforward. I tested Photosweeper with an enormous set of images stored on an external drive connected to a Mac mini via USB 3, and it performed extremely well, scanning over 200GB of images (nearly 50,000) in several minutes, generating previews as it went.Īt that point, you can view images as in a photo browser, but you click the Compare button to engage the real functionality. You can also use a Media Browser option that lets you drag any of those library types into a window and then look through them. The app starts by having you pick locations to scan, and it automatically recognizes libraries for iPhoto, Photos, Aperture, and Adobe Lightroom, allowing it to parse the storage format and look inside packages, instead of indexing endless thumbnails and other files that are used directly by those apps. IDGĪ Media Browser lets you examine images stored in iPhoto, Photos, Aperture, or Lightroom libraries, and then add them to compare. The developers promise eternal free upgrades to new releases, which is a bonus. Depending on how many systems you have and photos you take, you might wind up using it every few months. But with Photosweeper’s modest cost and laser focus, it’s worth the price. Some other software, especially disk uncluttering packages, include image-duplication scanning. For Adobe Lightroom, trashed photos are put in a collection named "Trash (PhotoSweeper)" and are marked as Rejected.App Store is a well-updated version of software designed to solve this problem with a high degree of customization and specificity. Photos on your hard drive are sent to the system trash, and photos in iPhoto or Aperture are moved to the app's trash. With all of your marked photos laid out in the browser, you can use the buttons in the lower-left corner to move them all to the trash, move and rename them, or copy and rename them. When you are happy with the results, click the Show Marked button in the lower-left corner. Using the two buttons at the top - Group List and Face-to-Face - you can view your photos by group or view two side-by-side for closer inspection. Double click on each photo in this view to toggle from marked and unmarked. You will then see your photos arranged by groups, where all but one of the photos in each group is marked for deletion. Say yes by clicking the Auto Mark button. When it has finished, a pop-up window will appear, asking if you'd like the app to mark your photos. When you have your photos in the browser and your settings just so, click the Compare button at the bottom of the app, and PhotoSweeper will begin comparing your selection. Set it more toward Exact Match if you feel PhotoSweeper is being too choosy. At the bottom of this right-hand panel is a slider to adjust the Matching Level. In settings, you can choose to search only for duplicates or a handful of methods to root out needlessly similar photos. To the right of this large browser space is panel to view the settings for your comparison method or image info. Choose a folder or group of photos and drag it to PhotoSweeper's browser. To add photos to PhotoSweeper, use the Media Browser or Add Photos button in the lower-left corner. The app features a large browser for your photos, but it will do the comparison work itself. You can also drag and drop photos or folders from your desktop. PhotoSweeper works with iPhoto, Aperture, and Adobe Lightroom. The app costs $9.99 in the Mac App Store. PhotoSweeper for Mac identifies duplicate and similar photos and lets you dump the ones you don't need in the trash. Unless you dutifully manage your photo library and cull the extra shots from each photo shoot, your library quickly becomes difficult to navigate and your hard drive cluttered. Freed from the cost of purchasing and developing film, digital photographers can take multiple shots of the same scene in an attempt to capture the perfect shot. Digital photography is a blessing and a curse.
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Customs (EU and Nothern Ireland): Shipments to Northern Ireland and shipments to any EU country do not need a customs declaration. Whether or not you're required to pay customs fees when buying from other countries depends on the item value and the customs rules of your country. Shipments to Northern Ireland and shipments to any EU country do not need customs clearance. With this information on the shipping documents and considering the item values, the shipments should clear customs quickly. A customs declaration form is attached to all shipments and the shipping documents will bear evidence that VAT has been collected. Customs (UK): All eBay UK listings include British VAT and for all shipments to the UK (excluding Northern Ireland) eBay collects and remits UK VAT to HMRC. If you're unsure whether you can play the Blu-Ray disc in your country, please contact me. Please check compatibility of your equipment, before you place an order as refunds cannot be given due to incompatibility. It will NOT play on other region locked players. Overseas buyers (especially US buyers ) please read: This is a Region B release that will only play on European players and on players from Australia/New Zealand. Multiple item purchases/Shipping discounts: Multiple item purchases can be combined to make a single payment and to receive a shipping discount. Please contact me if you have any questions. When experiencing playback problems with certain Blu-Ray discs a firmware update may be necessary. Blu-Ray discs don't play on DVD players, to play them a Blu-Ray player is required. This is a German release with German writing on the insert/cover. Disc contains the original English language version without forced subtitles and the dubbed German version. Official and genuine Region 2 release from Germany. Movie and DVD details: Genre: Drama Country/Year: UK/USA 2017 Directed by: Tali Shalom-Ezer Cast: Ellen Page, Kate Mara, Amy Seimetz, Charlie Shotwell, Elias Koteas, Tonya Pinkins, Brian Geraghty, Denise Dal Vera, Buz Davis, Beau Knapp, Jordan Trovillion, Bishop Stevens, Lisa DeRoberts Writing credits: Joe Barton Music: Michael Brook Distributor: KSM / NewKSM (Germany) EAN-Code: 4260623481594 Sound/Languages: English (Dolby Digital 5.1), German (Dolby Digital 5.1) Subtitles (removable): German Aspect Ratio: 16:9/2.40:1 anamorphic widescreen Extras/Special Features: Picture gallery Trailer Runtime: 103 min. The cover contains foreign writing Description/Synopsis: After a female activist protesting the death penalty befriends a woman with opposing views, they begin a passionate relationship that tests their beliefs and their values. The item picture shows front and back of the item. I don't sell bootlegs, 'public domain' copies or overseas releases that are incompatible with UK/European equipment The movie plays in English (original audio, no dubbing or voice-over) without subtitles The item is exactly as shown on the picture. Mercy) This is a Region 2 PAL release that is suitable for UK DVD players (or players from any other European country) This is an official and authentic EU retail release. It willNOT play on other region locked players. Item: 333274571912 DVD R2 MY DAYS OF MERCY (2017) Ellen Page Kate Mara Amy Seimetz Region 2 PAL NEW.
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Mustafa Ali all fitting that bill, as well.īut the main event reached an entirely different level from the rest, as Bryan and Reigns slowly built up tension in a classic clash of styles - Bryan's technical prowess vs. Reigns crawled on top of Bryan to pick up the three count, but there couldn't have been a clearer case for Bryan to force his way into WrestleMania.īryan-Reigns was one of several matches that overperformed at Fastlane despite the predictable nature of the card and its potential outcomes, with Drew McIntyre vs. As Bryan was accomplishing the impossible - forcing Reigns to tap - an incensed Edge smashed both Reigns and Bryan with that same chair. Uso also introduced a chair, and it eventually led to Bryan's swinging at Reigns, missing, and hitting Edge instead. Uso superkicked both Bryan and the special guest enforcer, Edge, to help Reigns and start the closing sequence of the match. That tapout happened in the chaos created by Jey Uso, who broke up an unwinnable situation for Reigns with Bryan's Yes Lock in place. First and foremost, Bryan got Reigns to tap out - meekly, but clearly - in a WWE landscape in which Reigns has been protected from such an outcome throughout his entire WWE career. While adding Bryan would be the logical next step, it wouldn't be the first time WWE utilized a cruel, heartbreaking twist of events to get fans excited about Bryan's future.īryan was pinned by Roman Reigns to close out the match, but the chaos that led up to that moment certainly seemed to indicate that there is more of a story to come in the three weeks between Sunday night and WrestleMania. 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That would not be Roon, nor Audirvana either.Īsset, Minim, and JRiver all fit that bill, and are in very wide use on the Raspberry Pi hardware, though certainly many years ago that might not have been the case when you made the move to Roon.Īsset is $37 and you get 5 licenses for that, any and all Windows, macOS, Linux (including Raspberry Pi) machines can run it, and it does work well. Really I just use the JRemote control point app to browse and play music from the server, or for that matter BubbleUPnP and mconnect also both work very well with JRiver as server, while adding Qobuz (or TIDAL) access to the picture.īut the OP's thread topic/question here was quite specific, it's asking which DLNA/UPnP media server is recommended for hi-rez and specifically DSD compatibility, and can run on a NAS or Raspberry Pi. 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The Fly (1986): Brundle’s final transformation (“Brundlefly”) In a movie overloaded with ingenious special effects, this one is quite possibly the most memorable (followed closely by the scene where a man has his ribcage pulled from his chest as he watches). After culling through the gore sequences in the film once again, my vote goes to the shot where Rita (the chick with the groovy `50s-style glasses) has her face split in two by baby zombie Selwyn as he emerges from inside her head cavity. It’s tough to peg just a single gore effects shot in a film overloaded with them, but on the other hand it would be wrong not to include Peter Jackson’s “splatterstick” Braindead somewhere on this list. Nearly 30 years later, this remains the greatest werewolf transformation in cinema history. The stunningly realistic effects work – created through a combination of prosthetics and fake animatronic body parts – comes across so flawlessly on screen that watching it causes you to viscerally experience the character’s agony. Lest you underestimate the impact of Rick Baker’s work on An American Werewolf in London, the “Outstanding Achievement in Makeup” category at the Academy Awards was created specifically as a result of the amazing transformation sequence undergone by David Naughton’s character. The amount of blood, sweat and tears that went into her construction shows in every frame, and puts every modern CG monster to shame.Īn American Werewolf in London (1981): Werewolf Transformation Using a combination that included hydraulics, puppeteers, and control rods, the Queen was filmed completely in-camera, and it’s this tangible quality that makes her feel so terrifyingly realistic on screen. Winston won an Academy Award for his work on the film, for his life-size creation of the Alien Queen, standing at fourteen feet tall and requiring 14 to 16 simultaneous operators to bring it to life. The effect was so incredibly realistic that star Veronica Cartwright had a well-documented freakout/slip-and-fall when an unexpected amount of blood sprayed directly into her face during filming. Shot in one take using four cameras, the “chest-bursting” effect was created using an artificial torso filled with real cow’s blood and intestines, through which the alien puppet was shoved by a guy below the table (a total of three separate puppets were used in different portions of the scene). Winning the Oscar for Best Visual Effects that year, Alien‘s most memorable effects shot remains the justifiably famous “chestburster” scene, during with John Hurt’s character “gives birth” to a xenomorph through his chest cavity. Note: While each effect has only one or two key special effects artists listed, I am in no way denigrating the contributions of any others involved in their construction and/or implementation. Following are MY PICKS for the ten best (in alphabetical order by movie title). Nothing can ever replace the joy of watching a hand-made effect, lovingly created, projected on the movie screen in front of you. It is this sort of invention we are celebrating here – the practical effects work in horror films that wowed us without being enhanced through digital wizardry. Sadly, something is lost with these programmed creations there is a resourcefulness, an ingenuity involved in practical effects work that simply doesn’t translate to pounding keys in front of a computer. With the invention of CG and its quick takeover of most modern effects work, practical effects have become something of a forgotten art in 21st century cinema. It is this sort of practical effects work that has largely (and regrettably) been discarded in modern filmmaking, but any true horror fan knows there’s nothing more satisfying than some good, in-camera gruesomeness. Miller, who created the celebrated dream-stalker’s gruesome visage. Key to the film’s success was the special makeup effects work by David B. In 1984, a horror icon was born by the name of Freddy Krueger, in Wes Craven’s landmark horror classic A Nightmare on Elm Street. |